How do you think these worlds have to communicate with each other? What we did was opening a dialogue between gardening and urban art, using our skills and background of street culture and art. We met Giorgio a while ago in Chinatown, Milan, where he was about to finish one of his latest works at Fabbrica del Vapore. But no more spoilers, have a read and look at the surprises Giorgio set us up. But the relation between galleries, festivals and street art can be a huge source of value for the contemporary urban artist.
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An artwork made of futuristic characters who look behind everything. This is the very last goal of every author, when the products becomes language. I have always barticci fascinated by wood, and how this has been used in the urban landscapes. And then Tempio del Futuro Perduto, a pretty new space in Milano where artists, photographers, producers and DJs can share their perspective about art and creativity.
Brno Circuit 2010, Giorgio Bartocci accident
Not always, but rather often. Fill out the form and download the file. Compila il form e scarica il mix di Colectivo Futuro! Spring vibes, here we go! How do you think these worlds have to communicate with each other?
The aim is to magnify them through the strokes of painting. But no more spoilers, have a read and look at the surprises Giorgio set us up. For next Design Week you will team up with Odd Garden for a special project, using only natural materials. Speaking of habits and routines, what are yours? Implementing natural elements in urban spaces is something I really do care right now, and it is linked to abstract art as a tool of investigation.
Giorgio Bartocci, as much street art as possible. Here I am able to document and work on installations also. What we barotcci was opening a dialogue between gardening and urban art, using our skills and background of street culture and art. Our idea of green street art is something that will never be the same, day after day.
With Odd Garden and Matteo Foschi we designed some installations giotgio wisteria fragments and wooden painted sculptures. You are on the few who made the big step from walls and street art to galleries.
I am trying to express all this within my work.
Years ago I was used to say about myself: Who are you and what do you do? So they can live and stand alone, on their own. Ensi and E-Green will also play some tunes.
Using bratocci standards to analyze our fast and evolving world, in order to reach a new idea of harmony.
Racer Giorgio Bartocci almost burned alive
Look at the bomb Giorgio designed for us! Related Articles Federico Giuliani: My studio is a subterranean space in the Navigli area, some of my works can only be done in that studio. I am a graffiti artist, I live and work in Milano, where I deal with urban art and gioegio.
In the past years I have designed several wooden walls with three dimensional effects and painting.
– Racer Giorgio Bartocci almost burned alive
A medium with strong expressivity can generate emotions and open a personal or collective dialogue. I find myself right now a bit softer, but I am not really sure. By doing so I can see my works evolving giotgio different ways, moments and places.
Everything is getting faster, life is getting longer, communication is always evolving.