Arpeg 01, Inferno, Lightwave, Prisma. Each project configuration can be saved and retrieved later. If you’ve never seen one, click here. Recording applications, for example, require a lot of computer resources. SFP comes standard with the following virtual instruments and devices: The number of virtual devices that you can load at any one given time is determined by the number of DSP’s you have installed. Or the effects can be routed through the aux busses like a normal mixer.
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You connect these devices together using virtual patch cables, much like hooking actual studio hardware together. Minimax, Pro, B, Vectron 3. And as we all know, you can never have enough stuff. Click on the thumbnail image above for a full-size screenshot of the Modular Synth.
Each device or element appears as a separate box with it’s own inputs and outputs. Scope is a PC-based music production system consisting of a sophisticated soundcard which comes bundled with a dedicated software application – called Scope Fusion Platform. Inthe company was acquired by some of the original product engineers who are now doing business under the company name Sonic Core.
Vinco is a Universal Audio compressor clone. The cfeamware mounts into an available PCI slot inside the host computer. This product was originally developed and marketed by a German audio company called Creamware. But the flagship of the Scope synth collection is the Modular Synth: These things were huge man.
Creamware Scope Home
Clients looking for fresh new sounds or familiar old ones can pull up interesting patches with a few mouse clicks.
No rotary pots or switches to wear out!
Arpeg 01, Inferno, Lightwave, Prisma. Click on the thumbnail image above to see the scopf picture. There were three distinct categories in the Scope product family which were differentiated by the number of DSP chips installed: Scope supports up to bit audio resolution and up to 96kHz sampling rates with almost zero latency. The amount of DSP resources required for a project depends on the number of Scope virtual devices effects, mixers, synthesizers, etc.
The number of virtual devices that you can load at any one given time is determined by the number of DSP’s you have installed. Some are virtual copies of older analog models which are now considered collectors items like the MiniMoog and Pro-One.
Recording applications, for example, require a lot acope computer resources. You needed a pretty good size room and a lot of patch cables to produce music with one of those babies. Each project configuration can be saved and retrieved later.
Go grab a cup of coffee because this gets deep: The more DSP’s you have, cteamware more stuff you can load. This product is designed to provide a variety of audio functions including virtual synthesis, sampling, effects processing, mixing and studio signal routing.
Again, too many to list and they all sound wicked.
Creamware Scope Home
In the control surface, you load whatever devices you need in order to start creating music. Z-Link is a proprietary communication interface using standard Firewire cables Z-Link permits the simultaneous transmission of 16 channels of bit audio between the soundcard and converter without having to use a separate word clock device.
The Scope Modular synth is basically a cfeamware of synthesizer “building blocks” or modules that you string together to create new sounds – modeled after the original Moog modular homw that artists like Keith Emerson, Rick Wakeman, and those guys in Tangerine Dream used to play back in the early 70’s. This makes the system very stable and fast! Following is a “short list’ of the available devices that come standard with Scope:. There were three distinct categories in the Scope product family which were differentiated by the number of DSP chips installed:.
You creaamware to let the thing warm up for a half an hour before you could actually play it.